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Reg.: Jul 2002
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CDATAKILL [Ad Noiseam|Low Res|Eupholus|USA]
Zak Roberts has been recording and producing extreme electronic music since the
mid-1990s. Under monikers such as AK-47 and DJ Rabies, Roberts produced a driving
and abrasive hi-fi speedcore sound, pushing the envelope for DIY hardcore producers.
Searching for a way to promote and support underground hardcore music, Roberts
co-founded the now infamous trashcore label Dtrash Records with fellow digital
hardcore comrades CPUWar. After growing tired of his previous sound, Roberts felt
the need to evolve and push his work into more complex directions. Feeling the need
to start over, Roberts cut working ties with the Dtrash collective (although he
still wishes them well and hopes for their success) and changed the name under which
he records to Cdatakill. The goal of the Cdatakill project is to pin opposites
together, to bring sounds that normally oppose and conflict with each other into a
seamless aural nightmare and daydream, to expose and glorify the beautiful alongside
the violent. Cdatakill has been fortunate enough to release records on some
world-class digitalhardcore and power NOISE record labels, such as Cross Fade Enter
Tainment, Eupholus Records, Dtrash Records, Double Threat Records, Suburban Trash
Industries, ZharkRecords, Low Res Records, Hardline Rekordingz, Suburban Trash
Industries, No Room For Talent Records, Kancer Records, Fleshmadeword Records,
Irritant Records, Rigid Crash Records, Cross FadeEnter Tainment, and Ad Noiseam.
ANTIGEN SHIFT [Ad Noiseam|Ant-Zen|Canada]
Antigen Shift was formed in the summer of 2000 by no other than Mr. Th�riault
himself, who, like his good friend and occasional co-producer Yann Faussurier (aka
Iszoloscope), resides in Ottawa, Canada. Antigen Shift's sound is
different from most of the rhythmic noise music that is coming out as of late in
that it is not so techno influenced, it depends on just
'industrialized' brutal beats. There is an organic complexity to the music, but one
that has been mechanized, as if manipulated through a machine. This is pure
industrial, recapturing the essence that a lot of so called industrial bands have
lost through the creation of a cyborg-organic soundtrack. The beats are buried
within the overall sound, giving the music a more grinding nature. When thinking of
ways to describe this sound, a few contradictious terms come to mind, such as
"brutal ambient," or "heavy unrelenting soundscapes." But this is where Antigen
Shift's appeal comes from, that the music can overcome the simplistic labelling of
the sub-genres, and create something refreshingly new.
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